The music of rain on a tin roof, a daughter’s reflection in a window, a Japanese orange in the December light. Spanning 26 years and eight collections of poetry, Outlasting the Weather displays an impressive range of forms and settings. As Friesen moves from the endless skies of Manitoba to rainy BC, he shifts from a propulsive, unfettered syntax to more restrained, meditative rhythms and prose poems. The conversational, impassioned tone and universal themes of memory, spirituality, and family will likely appeal to high school students. From soaring rhetoric about love and death to quiet moments of contemplation, from broken glass under streetlights to blackbirds swaying on reeds, this anthology’s versatility would be a great asset in a contemporary poetry classroom.

Caution: Occasional references to alcohol and sexuality.

256 pp., 5.25 × 8"

Source: Association of Book Publishers of BC - BC Books for Schools (2021-2022)

Patrick Friesen is the author of Blasphemer's Wheel, winner of the Manitoba Book of the Year Award and runner-up for the Milton Acorn People's Poetry Award. A Broken Bowl was short-listed for the Governor General's Award. His most recent work st. mary at main was shortlisted for the Dorothy Livesay Poetry Prize. He has also written for stage, radio, TV and film. He lives in Vancouver where he teaches writing.

Patrick Friesen's newest collection Carrying the Shadow is a haunting ode to the lives we have felt too briefly, known only in passing and yearn to hold still. While those who loved them keen softly between his lines, Friesen invokes their loss as one remembers a cool breath on the back of the neck, a faint shadow on a headstone, a watermark on the bedstand. With wisdom and beauty and invention, Friesen walks us through the graveyard of human kind where a symphony of voices still conduct the lives left behind long after they depart flesh for spirit. Intermingling prose poems and traditional free verse, Friesen both narrates and sings the stories of absence and forgetting, tales of lingering memory and fleeting love. With infinite candor and sensitivity, Friesen celebrates the lives of idols and iconoclasts, wives and widows, farmers and freeloaders. For anyone who has urged another title in the canon of Friesen's award-winning work, here is a collection worthy of accolade. Death has no dominion, but poetry has dominion over all.

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