Tyler Pennock, author of Bones, is a Two-Spirit Queerdo from Faust, Alberta, and is a member of Sturgeon Lake Cree Nation. They were adopted from a Cree and Métis family, and reunited with them in 2006. Tyler is a graduate of Guelph University's Creative Writing MFA program (2013), as well as the University of Toronto (2009). They have lived in Toronto for the past 25 years.

Tyler Pennock's profile page

"Pennock's shifting, expansive book-length poem luminously reflects the scattered fragments of memory with language that fluiding mixes abstraction, reflection and recurrent imagery. Bones gradually unveils the pain and trauma that seeps through time and relations, in a way that mimics the heart's unveiling itself. His touchstones of Indigenous ceremony and ritual grounds the collection in a way that navigates the reader through a rich archeology of bones that are not merely relics, but oracles." — Jury Citation, 2021 Gerald Lampert Memorial Award

"Here is a spare and urgent voice that speaks of 'wounds and beauty,' that gestures to a story of trauma and abuse while offering us a potent journey of self-reckoning and reclamation. Bones entwines brutality with the deepest tenderness and in its clear-eyed way asks us, as poetry must, to re-see the world." — Catherine Bush, author of Accusation and The Rules of Engagement

"Tyler Pennock's poetry unfurls like breath: measured, light, caught, whispering, and vital. It charts memory with a steady hand and unerring allegiance to locating the 'beauty/in terrible things.' Bones addresses the effects of intergenerational, state-sponsored trauma with an enviable grace, inscribing and affirming life on the other side of overwhelming pain, abuse, and grief. It carries on, resilient, defiant, gazing at the stars, one breath at a time." — Laurie D. Graham, author of Settler Education

"Tyler Pennock's Bones is a soft meandering through the memories of the narrator's hearthome: a place in which trauma, kinship, abuse, and nostalgia cradle one another in a circle. Here, poetics are deployed to inspect the most minute of objects with such wild abandon that the narrator transplants us into a world rife with sharpness so as to make the image complete, focussed, lifelike, photographic even as he continually 'wish[es he] were like water'. Here we find memory and dream animated in equal measure: two spirits sitting in a basement, a headless mother, a white bear, wihtiko, and a sister slowly vanishing. Lyrical, witty, heart-wrenching, and empowering, Pennock's debut book of poetry is a contemplative epic asking us to ponder the ethics of remembrance in all of its lacings of razing and revitalization." — Joshua Whitehead, author of Full-Metal Indigiqueer and Jonny Appleseed