Jean E. Pendziwol has published several highly acclaimed picture books, including Once Upon a Northern Night, illustrated by Isabelle Arsenault, finalist for the Governor General’s Literary Award and the TD Canadian Children’s Literature Award. She is also the author of Marja’s Skis, illustrated by Jirina Marton, and The Red Sash and Dawn Watch, illustrated by Nicolas Debon. Jean’s debut adult novel, The Lightkeeper’s Daughters, will be published in 2017 in more than ten languages. Jean finds inspiration in the rich history, culture and geography of Northwestern Ontario where she lives in the shadow of the Nor’Wester Mountains near Lake Superior.

Jean E. Pendziwol's profile page

NICOLAS DEBON won the Boston Globe–Horn Book Award for his book The Strongest Man in the World. His illustrations in Dawn Watch by Jean E. Pendziwol were nominated for a Governor General’s Literary Award. He has also written and illustrated A Brave Soldier and Four Pictures by Emily Carr. A Canadian, he now lives in France.

Nicolas Debon's profile page

• Short-listed, CLA Amelia Frances Howard-Gibbon Illustrator's Award
• Commended, CCBC Our Choice
• Short-listed, Governor General's Literary Awards: Illustration

The lyrical, first-person narrative quietly captures the wonder of the universe during a late-night journey...A quiet adventure for sharing one-on-one.

School Library Journal

Quiet pleasures, but important ones in a sailboat at sea.

Kirkus Reviews

The words and pictures are a superb fit: each uses perspective for dramatic effect, and they combine to create a contemplative and sometimes rapturous atmosphere.

Quill & Quire

Debon, Nicolas's impressive illustrations...capture the essence of the nighttime voyage perfectly and do much to emphasize the lyrical quality of the text, which reads like poetry. Apart from being a wonderful choice to read aloud, connections to astronomy and father-daughter relationships can be made. Highly Recommended.

Canadian Children's Literature - CBRA

...the words, filled with the water's 'hush' and 'hiss', convey a subtle drama that is beautifully extended by Debon's lustrous, moody paintings.

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