NADIA L. HOHN is a writer and educator. Her first picture book, Malaika’s Costume, won the Helen Isobel Sissons Canadian Children’s Story Award and the Elementary Teachers’ Federation of Ontario (ETFO) Children’s Literature Award. She is also the author of Malaika’s Winter Carnival and Malaika’s Surprise, both illustrated by Irene Luxbacher; A Likkle Miss Lou: How Jamaican Poet Louise Bennett Coverley Found Her Voice, illustrated by Eugenie Fernandes; Harriet Tubman: Freedom Fighter, illustrated by Gustavo Mazali; and two titles in the Sankofa series — Music and Media. Nadia’s writing is inspired by her childhood memories, Jamaican heritage, Black culture, world travels, and social issues. She lives in Toronto.

Nadia L. Hohn's profile page

IRENE LUXBACHER est à la fois auteure, illustratrice et artiste. Elle a publié de nombreux livres d’activités artistiques et albums jeunesse dont Le jardin imaginaire de grand-papa, d’Andrew Larsen, mis en nomination pour le Prix du Gouverneur général dans la catégorie illustrations. Irene habite à Toronto où elle travaille actuellement à la création de nouveaux tableaux et albums.

IRENE LUXBACHER was nominated for the Governor General’s Award for her illustrations in Andrew Larsen’sThe Imaginary Garden (Le jardin imaginaire de grand-papa). She has illustrated several other picture books, including Mittens to Share (Une mitaine pour deux), The Heart’s Song (Le grand cœur de madame Lili), as well as her own picture books Once I Was a Bear (Lorsque j’étais un ours…) and Mattoo, Let’s Play! (Viens jouer, Matou!). She lives in Toronto, Ontario with her husband and young son. You can learn more about her work at www.ireneluxbacher.com.

Irene Luxbacher's profile page

• Commended, USBBY Outstanding International Books List

Hohn contrasts Caribbean and Canadian cultures tenderly, with deep understanding of both, and she and Luxbacher have created a sweet, immersive and loving book that will benefit both young new arrivals to a country and those just meeting them.

Kirkus Reviews

Luxbacher’s stunning mixed-media collage illustrations surround Hohn’s lilting narrative with color, texture, and sensitivity.

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