Yvonne Blomer is the author of four poetry collections, including The Last Show on Earth, which was published with Caitlin Press in 2022, and As if a Raven (Palimpsest Press, 2015); in the fall of 2022 Palimpsest Press released Book of Places: 10th Anniversary Edition. Yvonne is the editor of the anthologies Refugium: Poems for the Pacific and Sweet Water: Poems for the Watersheds (Caitlin Press, 2017 and 2021). Sugar Ride: Cycling from Hanoi to Kuala Lumpur (Palimpsest Press, 2017) is her travel memoir exploring body, time, and travel. Yvonne is the past Poet Laureate of Victoria, BC, and the past Artistic Director of the weekly reading series Planet Earth Poetry; Yvonne is Arc Poetry Magazine’s current poet-in-residence for 2022-2023. She lives on the traditional territories of the Lək̓ʷəŋən (Lekwungen) people in Victoria, BC. www.yvonneblomer.com

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“[Refugium] is deep and wide and contains wonderful work written […] assign this as part of a class on contemporary Canadian poetry, such is its range of writers. An anthology around a conceit or a theme doesn’t always work, but this one feels focused and taut, even though there is plenty of it: eighty-three poems, many fairly long. It makes a political and poetical and common sense-case for not exploiting the natural world, a case made through accretion and good editing – that is to say, lightly but strongly.”

—University of Toronto Quarterly, 88.3 (Summer 2019)

“Refugium performs a kind of eco-location, searching for home in the wreckage, sounding out a marinium that is receding both from itself and from us, the prodigal children of the Anthropocene. Many-tentacled, this collection reaches into various aesthetic registers and gathers a range of sophisticated voices to create a whole that is, like the ocean itself, at once a single entity and a multitude.”

— Sue Sinclair, author of Heaven’s Thieves, (Brick Books), winner of the 2017 Pat Lowther Memorial Award

“Like the ocean, Refugium pushes and pulls us, comforts and terrifies us, in poems that are playful, grief-stricken, awe-struck, hopeful, condemnatory, speculative, historical, personal. But the undercurrent is all of love.”

— Amy Reiswig, Focus on Victoria