MONIQUE POLAK écrit régulièrement pour le Montreal Gazette et a été publiée dans de nombreux autres quotidiens de renom tels que le Globe and Mail, le National Post et Newsday. Dans la collection SideStreets, elle a écrit All In et On the Game, ainsi que Flip Turn pour la collection Sports Stories. D’ailleurs, ces deux derniers ouvrages ont figuré sur la liste des meilleurs livres pour enfants du Centre du livre jeunesse canadien. Monique enseigne l’écriture ainsi que la littérature anglaise. Elle vit à Montréal, au Québec, avec son mari et sa fille.

MONIQUE POLAK is the author of 26 novels for young readers, as well as two non-fiction titles and a board book. Her books Hate Mail, Room for One More, and the historical novel What World is Left, which was inspired by her mother’s experience during the Holocaust, were all winners of the Quebec Writers’ Federation Prize for Children’s and YA Literature.

Her books have also been nominated for the Geoffrey Bilson Award for Historical Fiction for Young People and the Arthur Ellis Award, and several have been selected as Best Books for Children and Teens by the Canadian Children’s Book Centre.

She is also a freelance journalist whose work has appeared in The Globe and Mail, Macleans, and Postmedia newspapers across the country, and is a columnist on ICI Radio-Canada’s Plus on est de fous, plus on lit Monique lives in Montreal, Quebec, where she teaches English and Humanities at Marianopolis College.

Monique Polak's profile page

Rosetta Wolfson, second oldest in a family of three girls, loves to listen in on other people’s conversations. She is under the dining table listening when Mr. Schwarzberg, her father’s visitor, tells her father about Nazi atrocities in World War Two, especially the persecution of Jewish people. The Wolfson family, who attend synagogue regularly, agree to make room in their home for a Jewish boy from Germany who has been in an internment camp on an island in the Saint Lawrence River for almost a year.

Isaac is welcomed as a ready-made brother to the three girls. Only Rosetta realizes that he has a story to tell, and slowly, often painfully, Isaac answers her questions.

The friendship between Rosetta and Isaac develops slowly and sometimes uncomfortably with mistakes made on both sides. Rosetta tends to be too probing and insistent on getting answers. Isaac does not find it easy to speak about the horrors he has witnessed. Both have much to learn, Rosetta about respecting boundaries, Isaac about the surprising truth that changes his beliefs about his mother.

This novel for grades 3-7 comes from an experienced author who is respectful of the ideas and developing values of the young people for whom she is writing. Polak gives information about the horrors of Nazi Germany, especially its treatment of Jewish people, through the eyes of a teenage boy. The novel is evocative yet sensitive. The concept of accepting other religions and beliefs forms the foundation of the story but never becomes preachy.

Magazine

"Rosetta's life changes when a 16-year-old refugee from the Nazis comes to live with her. A grade six girl in 1942 Montreal, narrator Rosetta has two sisters, but she hadn't expected to gain an older brother. Isaac fled Hitler's Germany on the Kindertransport but was later interned by the British government. Now freed, he's alone in a foreign country. Isaac's entry into Rosetta's family isn't frictionless: Rosetta squabbles with her sisters, she's jealous of Isaac's relationship with her father, and she snoops in his few possessions. But she and Isaac grow close, and what she learns about his past is worrying. Rosetta is from a family of light-skinned observant Jews and is ignorant of religious segregation or persecution. Isaac, with one Jewish parent and one Christian, saw his own mother—a tall, blonde, blue-eyed 'Aryan goddess' who works for the Nazis—repudiate him. Even in theoretically liberal-minded Montreal, Isaac's not free of persecution. Jewish quotas will likely keep him from attending medical school at McGill. Moreover, Rosetta's best friend's brother, a handsome blond non-Jew, says vile anti-Semitic things to Isaac. Italicized, phonetically rendered accents ('So, one afternoon, I vent der') keep Isaac at arm's length even as Rosetta grows closer to him, and there's more than one 'remarkable coincidence' holding the whole together, but readers will respond to how flawed, likable Rosetta learns how to welcome refugees wholeheartedly. As timely as historical fiction can be."--Kirkus Reviews

Journal

In 1942, twelve-year-old Rosetta and her Jewish Montreal-based family agree to take in Isaac, a Jewish teen refugee from Nazi Germany who’s private about what he’s endured. While Isaac and the family adjust to each other, Rosetta’s understanding of her Jewish identity and of the way her peers relate to it is put into a different perspective. The lessons she learns are often expressed in simpler terms than necessary. Isaac’s gradually-revealed backstory, however, is more complex than the Canada-set portion of the narrative; his mother, who resembled “an Aryan goddess” and appeared to side with the Nazis, may have had kinder intentions toward him than he thought. Though the novel could be subtler in places, it should work well as an introduction to a historical period with parallels today.

Other Print

"In 1942, 12-year-old Rosetta Wolfson lives with her Jewish family in Montreal, far away from the war in Europe. The Wolfsons take in Isaac Guttman, a young Jewish refugee who fled Germany for Britain, only to later be deported to Canada. Isaac is guarded and slow to trust, but gradually shares parts of his past with Rosetta. Polak's novel introduces an often-overlooked facet of the Holocaust: that Britain expelled German nationals (Nazis as well as Jews and those rescued in the Kindertransport), shipping them to internment camps in Canada and Australia. Isaac is grateful to have been taken in by the Wolfsons, but that doesn't prevent him from feeling guilt over the fates of his family members and experiencing anti- Semitism in Canada. Secondary plots involving Rosetta's efforts at public speaking, and her gradual realization that her best friend harbors anti-Semitic views, are also well handled. A strong family story;
pair with Lucy Strange's Our Castle By the Sea (2019) for another look at wartime expulsion of Germans."
—Booklist Online

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