Donna-Michelle St. Bernard, a.k.a. Belladonna the Blest, is an emcee, playwright, agitator, and practitioner of humanitarian arts. Her main body of work, the 54ology, includes Cake, Sound of the Beast, A Man A Fish, Salome’s Clothes, Gas Girls, Give It Up, The Smell of Horses, Bilguisa Speaks Up, Diggers, Conjugal, Hunt/Peck, and The First Stone. She is a contributor to The Only Good Indian (Jiv Parasram, Tom Arthur Davis/Pandemic Theatre), Forbidden (Afarin Mansouri/Tapestry Opera), and Oubliette (Ivan Barbotin/Tapestry Opera). Other theatre works include Reaching for Starlight, They Say He Fell, and The Final Inquiry. She is co-editor with Yvette Nolan of Refractions: Solo (2014) and Refractions: Scenes (2020) and editor of Indian Act: Residential School Plays (2018), all published with Playwrights Canada Press.

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Daniel David Moses, playwright and poet, is a Delaware who was born at Ohsweken, Ontario on the Six Nations lands. Now living in Toronto, he writes and works with Native and cross-cultural organizations. He is the author of Coyote City, nominated for the 1991 Governor General's Award for Drama, and The Dreaming Beauty, Big Buck City, Almighty Voice and His Wife, and The Mite Lines, a book of poetry. He is co-editor with Terry Goldie of An Anthology of Canadian Native Literature in English.

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Falen Johnson is Mohawk and Tuscarora from Six Nations. She is an actor, playwright and emerging dramaturg. She is a graduate of George Brown Theatre School. Selected theatre credits include: The Only Good Indian with Turtle Gals Performance Ensemble, The Triple Truth, Savage, Strong Medicine, Death of a Chief, A Very Polite Genocide, and Tombs of the Vanishing Indian all with Native Earth Performing Arts. She has also been seen in The Ecstasy of Rita Joe, a co-production between Western Canada Theatre and the National Arts Centre. Recently Falen was seen in The River with Nakai Theatre as well as Tout Comme Elle, a co-production between Necessary Angel and Luminato, and in Where the Blood Mixes with Saskatchewan Native Theatre.

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• Winner, Patrick O'Neill Award