Tom Arthur Davis is a T'karonto-based arts worker originally from the unceded territory of the Algonquin nation (Ottawa) with colonial lineage from the ancestral homelands of the Beothuk and the Mi'qmak peoples (Newfoundland). In 2009 he co-founded Pandemic Theatre, where he has created most of his work in close collaboration with Jivesh Parasram. Since 2018, Tom has acted as a producer for Why Not Theatre where he leads the company's Provoke Activities (initiatives that help remove barriers for artists). Tom's work with Pandemic and Why Not has toured across Turtle Island and overseas, including collaborations with Barbican Centre, Battersea Arts Centre, Buddies in Bad Times Theatre, Canadian Stage, The Cultch, High Performance Rodeo, Latitude Festival, National Arts Centre, PuSh Festival, Sydney Festival, The Theatre Centre, and Theatre Passe Muraille. His works for the stage include Mahmoud (co-writer), Take d Milk, Nah? (co-creator/dramaturge), and The Only Good Indian (co-creator/co-writer).

Tom Davis' profile page

Jivesh Parasram is a multidisciplinary artist and facilitator of Indo-Caribbean descent. He grew up in K'jipuktuk in Mi'Ma'ki (specifically Dartmouth, NS), and currently lives and works primarily on the Unceded Coast Salish Territories (Vancouver) where he works as the Artistic Director for Rumble Theatre. Jiv spent over a decade in T'karonto/Toronto working mostly in the independent theatre scene; there he co-founded the award-winning political theatre collective, Pandemic Theatre. He also worked as the Associate Artistic Producer at Theatre Passe Muraille. His performance work has toured across Canada, to the UK and Europe; and his research has taken him back to the Caribbean to Cairi (Trinidad & Tobago) Taino Carib & Arawak territory. He has been honoured with numerous awards and nominations including the Toronto Arts Foundation Emerging Artist Award, The Dora Mavor Moore Awards, The Jessie Richardson Awards, The Harolds, and the Herald Angel at the Edinburgh Festival. He is also published with playwrights Canada Press, and has been a contributor to publications including CBC, the Canadian Theatre Review, and Spiderweb Show.

Jivesh Parasram's profile page

Donna-Michelle St. Bernard, a.k.a. Belladonna the Blest, is an emcee, playwright, agitator, and practitioner of humanitarian arts. Her main body of work, the 54ology, includes Cake, Sound of the Beast, A Man A Fish, Salome’s Clothes, Gas Girls, Give It Up, The Smell of Horses, Bilguisa Speaks Up, Diggers, Conjugal, Hunt/Peck, and The First Stone. She is a contributor to The Only Good Indian (Jiv Parasram, Tom Arthur Davis/Pandemic Theatre), Forbidden (Afarin Mansouri/Tapestry Opera), and Oubliette (Ivan Barbotin/Tapestry Opera). Other theatre works include Reaching for Starlight, They Say He Fell, and The Final Inquiry. She is co-editor with Yvette Nolan of Refractions: Solo (2014) and Refractions: Scenes (2020) and editor of Indian Act: Residential School Plays (2018), all published with Playwrights Canada Press.

Donna-Michelle St. Bernard's profile page

"Radical and thought-provoking... Delves deep into the history, politics and logics of occupation, colonization and indigeneity." --Jordan Bimm, NOW Magazine (Toronto, ON)

"Ambitious, risky theatre." --Andrea Warner, The Georgia Straight (Vancouver, BC)